Good plot with smart characters
AUDIBLE LINK: Forever’s Too Long – Audible
And so it has finally happened, after months and months of researching how to make an audiobook, getting the equipment, rehearsing, learning how to control one’s voice for quality, pacing yourself, being sure of clarity when you speak, consistency in volume, learning how to edit the recordings and meet ACX’s requirements, and finally getting your work made available on Audible. This in and of itself is a huge achievement. But no one tells you about what comes next…
Waiting to see the audience’s reaction to your work.
I don’t mind telling you all that I was a nervous wreck. It’s one thing to have friends, family telling you that it sounded good to them. But what about strangers, people who listen to Audible books all the time who have become ‘experts’ on how an audiobook should sound and make them feel? That is the moment of truth for any voice actor. So seeing this review sent my spirits soaring. I’m still well past the moon and coming close to Mars… ooo, I think I can see the Mars Rover’s from here. Thank goodness their not aiming up with their cameras, God only knows what the techs down at mission control would think.
Now, I just want to say a few things about reviews over on Audible. As you can see in the top of this post, Audible has not just one but three review criteria, allowing the reviewer to cover not just the story but other aspects of the audiobook, including Performance. This of course is the big one for voice actor/actresses. Seeing what the listener thought of how good a job I did narrating/performing the piece meant the world to me.
Now, I’ve listened to a number of audiobooks, many done by professionals like Benedict Cumberbatch, Sir Derek Jacobi, James Marsters, as well as others whose names I had never heard before. And many of them were excellent. I really got caught up in the story. However, I’ve also run across one or two where the performer did a great job in enunciation, volume, clarity, etc. yet felt very ‘flat’ at the same time. They had used a monotone voice throughout the piece which was unfortunate because the story itself was very good. But I never got swept up in it, even in the more exciting dramatic moments.
I’ve covered bringing life to your performance in my previous entry about my “Adventures In Audio Recording” (Link: Adventures In Audio Recording Part VII). So I really did my best to make sure that I avoided those pitfalls in my recording, and it feels great to know I succeeded. I’m already hearing back from another listener who is still enjoying the audiobook and kept complimenting me on the different ‘voices’ I created for the various characters and (like the reviewer shown here) is eager for the upcoming audio installments of this book series. (My wife has two more books for me to record already, and is working on a fourth book in her as I write this entry).
So where do I go from here? Well, I’m doing more research to fine tune my recordings to an even higher level. I take the quality of my performances very seriously and want them to be as good as they can be, not only for myself but for my wife Helen. These books are her creation and I want to make sure I give them the kind of performance they deserve. I also hope to make my vocal talents available to others in time, and I want to give their works the same level of professionalism I give hers. But first I want to get a few more books under my ‘vocal’ belt so to speak.
Of course, as many of you know I have several books that I wrote with her in our Para-Earth Series, that are slowly being recorded as well. With luck (and a lot of hard work) I hope to have one of them ready for release on Audible just in time for the holiday season. Or at least, I hope it will work out that way. Life tends to get in the way sometimes, especially with this Covid-19 business (more about that in a separate entry).
In the meantime, I already have 1/3rd of her next book “Forever Haunted” already recorded and hope to have it completed by the end of the month. At which point I’ll start the editing process and get it submitted to ACX to be released in late September/early October. With a name like “Forever Haunted” you just know something ghostly is involved and Halloween is just the perfect time of year to release such a piece.
The phrase “Practice makes perfect” really comes to light when you see this video. Hopefully, some of you who are making your own audiobooks for the first time will find that it’s okay to have a mishap or a dozen. It’s just part of the process.
Musings Of Two Creative Minds 