Tag Archive: #Audible



Finally heard back from ACX. Two issues came up. I didn’t leave enough “Room Tone” (silence) at beginning and end of every chapter. They want .5 to 1 second of silence before first word spoken, then 1-5 seconds of silence after last word spoken. Easy fix.

The other issue, I included the closing credits and the last chapter in one file. They wanted them separated, another easy fix.

Otherwise, they had no other problems with the files. Volume, clarity, technical requirements of the audios themselves, all of that was fine.

I will be making these corrections, if I haven’t already dealt with them on my own. After that… still going to follow our own path at this point and make CD’s and downloadable MP3’s from our websites.

and

Why?

Because Audible has an “exclusive” clause that says only they get to produce the audios, and they do not make CD’s. They only produce Audible versions, and as we’ve been told by others NOT everyone can afford the monthly Audible charges every month.

Will our path be an easy one? Not really. But we’re hoping that people will spread the word once we have the audios up for sale. We’ll have to promote ourselves, which would still be true if we went with Audible. Oh the books would be in their catalog along with 100’s of others, so what would be the difference?

Reviews? Reviews can be left at our website under the comments section for each product.

A lot of people think that just because they got their book/audio on a big company’s site that they are set and don’t have to do anything else. But that’s the BIGGEST mistake one can make. No matter where your works are for sale, YOU still have to do most if not all the promoting to get the word out. Or hire someone to do your marketing. In this day and age “If you build it they will come…” is seriously overrated. YOU have to put in the work to get people to find out about your work.

And that is exactly what I’m doing here and now. Letting people know the CD’s and MP3’s are coming. I’ll be creating a “Store” button here on this site very soon and populate it with CD’s, downloadable MP3 files, PDF’s, and the option to order a signed print copy of any of our books.

ALSO… I will be continuing the “Adventures in Audio Recording” Series, in order that those who still wish to create audios can succeed in making Audible quality files ready for submission to ACX or other audiobook outlets.

Until next time, take care and keep writing and recording my friends.

After our last entry asking about making other options available such as CD’s and downloadable MP3 files of our books for audio, we’ve learned that if we go with Audible they have the “Exclusive” right to produce the audio. It also clearly states in the agreement that neither we, nor anyone else, can create audios of the books in ANY format.

                                  

And this does not just apply to us. At our local library we found some of Jim Butcher’s “Dresden Files” on CD. However, it seems they were all made before the books were transferred to Audible. Since then no new CD’s have been made. Allan even went as far as to check on Amazon and found the only  CD copies available are used ones for the earlier books. There do not appear to be any CD’s for the more recent installments of that series, only the Audible version.

So what does that mean for us? That is where the tough decision is being made. After much researching, Allan has learned how to make MP3 Files for sale and download from Helen’s web page. She is still in the middle of constructing the store for that website, but we will keep you all appraised of how it is coming along and when things will be available for sale.

Her first novel “Forever’s Too Long” is already recorded and up to ACX/Audible standards. However, we both want to add a few new touches to the files, like adding some intro and closing music, as well as the occasional sound-effect here and there where it just seems appropriate (like someone bumping their head – without giving any of the plot away, it just seems appropriate for the particular scene in question, trust me on this).

The MP3 downloads will be in Zip File format, and if this is a problem for anyone please let us know.  (NOTE: We will be experimenting with non-Zip MP3 Files as well, just in case some people need that style.) 

Payment Options:

-Payments will be accepted at Helen’s on-line store through PayPal (which takes credit cards these days).

-Personal checks will also be accepted in which case the file(s) will be e-mailed to you as soon as the check is received and deposited.

 

What will be available at the online store?

                                   

CD’s

MP3 Downloads 

Signed Trade Paperback Copies

And finally…

PDF’s for those who don’t do Kindle/Nook


*NOTE: Kindle/Nook/Kobo and other e-book versions will still be available through Amazon and Barnes and Noble, Kobo, other online outlets. 

 

But what about the Para-Earths Books?

We will also be slowly setting up a store here on this blog to cover our Para-Earths Series which of course includes: 

            

*NOTE: Signed paperback copies and PDFs will be posted shortly.*

Audiobooks in the forms of CD’s and dowloadable MP3’s are already under way, starting with the our anthology “The Vampyre Blogs – One Day At A Time” (of which 5 of the stories have already been recorded and edited) and “The Bridge”. Voices have been lined up for many of the characters, while others have yet to be cast so please bear with us.

And rest assured that all new Para-Earths tales are on the way as well.

As of today “The Door” is weighing in at over 60,000 words and still growing.

We are also pleased to let you all know that “The Vampyre Blogs – Family Ties” novel, is also under way and is currently sitting at 6000 words. This story will be a full-length novel taking up a couple of weeks after the events of “The Vampyre Blogs – Coming Home”.

A third novel “The Misty Mountains” will feature Jonathan Cloudfoot and his girlfriend Michelle (who both made their 1st appearances in “The Ship”) will be teaming up with “The Professor” (aka Otto from “The Vampyre Blogs – Coming Home”) is also in the works. This adventure will be taking place in the hills of Santa Cruz California.

So we have a lot going on here and much more coming your way. As always we thank you for your support and patience while we bring all this and more to you.

Until next time, take care and keep writing everyone!


While waiting for Audible to approve/reject our submission, we have heard back from a number of people who say they don’t do Audible. Some prefer CD’s because they cannot afford Audible’s monthly charges.

So this got me and Helen thinking about offering CD’s, even if Audible accepts our books. We are also considering the fact that some people do not have a convenient CD Player these days, or may prefer audio files for storage. For them, we are thinking about selling MP3 audio files that people can order from this site so they can download the entire book into their own device of choice.

So please take a moment and let us know which of the following options that would be of interest to you. We are simply seeking feedback which would be a huge help to us in deciding what path(s) to take as far as making our audios available to people, so your responses are VERY important to us.

NOTE: you CAN vote for more than one option from the list below:

 
A – Audible?
 
B – Audiobook on CD’s?
 
C – MP3 audio files that you can download to the device(s) of your choice?
 

Please leave your votes in the comment section so we can see your responses, and as always we thank you all for your continued support for this blog and our works.

Keep writing everyone!

 

Audio Options

CAN YOUR HEAR ME NOW?

Everyone knows that typing in all caps means the person is yelling/screaming at you over the internet. Naturally, most folks will tell the user to please lower their volume/tone as no one likes being screamed at. This is even more true when it comes to a person listening to an audiobook. If the narrator telling the tale is too loud or too soft it can really take the listener out of the story and annoy them to no end. And don’t expect good reviews on Audible either. I’ve seen reviews that praise the story but tear into the performance with a vengeance. This in turn can ruin your chances to be hired to do audios of other peoples’ books. 

So today we’re going to get into volume and consistency in our recordings. Now if you’re renting studio space and have someone else doing your editing, you’re probably going to be okay. But if you’re like me and doing your recording in the comfort of your own home/studio, as well as taking care of the editing afterwards, you have your work cut out for you.

Recently I was burning some CD’s (using CD-R discs and Windows Media Player) for my mom who is not a computer user, thus she cannot go the Audible route. But she does love her CD’s, so being the dutiful son I went to work burning her a copy of Helen’s solo novel “Forever’s Too Long” (Available at Amazon at this link: https://www.amazon.com/dp/B07RSGKTDF). Now this audio is not yet available in Audible because it is still going through Audible’s “Review Process” (a topic for another entry in the “Adventures in Audio Recording Series”).

After making sure all the files were in MP3 format (an Audible Submission Requirement), I burnt (copied) them onto CDs and then began running the discs through my CD player to make sure they were working. To my delight they worked beautifully, to my horror the volume levels between chapters was…

Yeah, the volume levels from one chapter to the next was shall we say NOT exactly even. Mind you I’m not saying they were off the scales or anything. Mind you I wasn’t blowing anyone’s hair back or anything like that.

But the volume was varying enough that at times a listener would need to adjust the volume up or down to hear properly. And let me tell you, if I were the listener I’d be getting damned annoyed if I kept getting caught up in the story and then pulled out to adjust the volume every so often.

So here was a new problem I hadn’t counted on. While technically each chapter met Audible’s technical requirements, this varying volume level from one chapter to the next was definitely going to be a problem. A problem that could easily get the book rejected by Audible. So there was only one thing to do, I had to fix this problem. But how? I’m still quite the newbie when it comes to recording audiobooks. The answer was simple, it was time to hit YouTube once again for advice on how to adjust the volume on each individual chapter so they lined up just right.

TO BE CONTINUED….


Okay, so now that we’ve got all the technical parts of recording covered and how to meet ACX’s requirements, we’re ready to record and submit, right?

Yeah, what the 10th Doctor is saying. There are a number of other non-technical requirements that we have to pay attention to, in order to submit our audio successfully. First off, you need to include opening credits. These are as follows:

-The title of the audiobook

-The subtitle, if there is one

-Written by (Name of the Author)

-Narrated by (Insert your name here)

All of these need to be included in the very first file. Now you can submit this as a separate file, or as part of the first chapter.

Speaking of chapters, each chapter should have its own sound file. When you submit to ACX you’ll be submitting an entire folder of files to them. And each file can only include one chapter, no matter how short. UNLESS… the chapter is so long that the sound file is going to be longer than 120 minutes. In that case, you’ll be breaking that chapter up into more than one file. Remember, no single file can be longer than 120 minutes. ACX is very strict about this.

And since we’re discussing credits, there should also be closing credits at the end of the final chapter or at least the spoken words THE END.  I myself prefer something like this. “The End. You have been listening to “Title of the Book”, written by “Author Name” and narrated by “Your name here”.

You’ll also want to have a separate file to submit that will be a sample of your work so the audience can get a taste of what awaits them inside your audiobook. Do not include anything that contains the opening/closing credits, music, or anything explicit. The sample can be anywhere from 1 to 5 minutes in length. So choose wisely, remember this is part of your ‘hook’ to get listeners to want to hear the entire story from start to finish.

Another requirement ACX asks of submissions is 2-3 seconds of silence or “Room Tone”. Remember where I mentioned having several seconds of silence where we used the “Noise Reduction” function, this is where that section comes into play again. Originally we used it to clean up the entire file. But now we need it as a lead in before any speaking takes place in a file, and they also want another 3-5 seconds at the end of each file. This is a requirement that can and will get you rejected, so make sure each of your files has this 2-3 seconds at the beginning and 3-5 seconds of “Room Tone” at the end.

Be careful of making sure each file is consistent in pacing, vocalization, sound levels, clear speaking, etc. Try to avoid loud mic pops, mouth noises, breathing, etc. (most of which we covered in the previous entries where we covered the technical requirements). Still, try to make sure there is a definite consistency throughout all the files so as not to irritate the listener. People love being drawn into a story and then jarred out of it because of a mistake someone made in the recording. This WILL lead to bad reviews and poor ratings of all your hard work. So take the time to make sure every file is clean and consistent for your own sake.

Next up, Mono or Stereo channel formats. Whichever format you choose ALL the files associated with the audiobook in question must be in the same format. I myself stick to Mono which makes my life so much easier. I personally don’t really know the difference between the two, but Mono is what I use and I keep things consistent that way.

Finally, ACX has one final rule… the narration must be done by an actual human being. Text-to-speech is not allowed. Audible listeners are expecting a performance by a person, so ACX will only accept that and nothing else.

So, we’ve covered technical issues, and the submission requirements for ACX, which means we’re done right…

 

Sorry about that, but there are other things we need to discuss and take into consideration. And all of it falls under “Performance”. How good a narrator are you? Can you bring life to the words and characters or not? How fast should you be reading? What about pauses for the end of a sentence, etc., etc. Are you putting emphasis in the right place for the story?

We’ll go into all that in our next installment. But if you feel you’ve learned all you need, perhaps you’re already an actor or someone who’s just a natural at loud readings. If you are, then best of luck to you and go get ’em!

As for everyone else, I’ll see you in a couple of weeks. Until then keep writing and reading my friends.


Okay, we covered a lot of technical details in the last entry, but there’s still one more thing I want to talk about today, before going on to other details to consider when doing an audio recording. Regretfully, I’m one of those people with asthma so on occasion you can actually hear me taking a deep breath from time to time in the raw recordings. I do try my best to watch my breathing while I’m recording, but occasionally I take one of those deeper ones that the microphone catches. Now, this may not be a huge problem for audiobooks, but if you’re doing recordings of yourself singing it can be a BIG problem. So to keep yourself covered on both fronts let me introduce you to Noise Gate.

Now, in my case Noise Gate was one of those Effects that I needed to add to Audacity. You may want to refer back to this YouTube Video for how to add an effect to your Audacity:

https://www.youtube.com/watch?v=MdQq9W6Ot2w

Of course you’ll want to know where do I find the Noise Gate effect so I can upload it?

Here’s the link:

https://wiki.audacityteam.org/wiki/Nyquist_Effect_Plug-ins#Noise_Gate

Just click on (noisegate.ny) Download and follow the instructions in the YouTube video to get it into your Audacity Effects Arsenal.

Okay, now that you have Noise Gate among your Audacity Effects, bring up one of your recordings that you’ve done. Select the entire recording and go to Effects and scroll down the list until you find Noise Gate. Mine looks like this:

From the first three options Select Function, Stereo Linking, and Appy Low-Cut Filter: are already selected in this image so just leave them like this.  The same holds true for Gate Frequencies Above, that 0.00 setting is just fine.

The only things I changed were the following:

 – Level Reduction: -30.0

 – Gate Threshold: -30.0

 – Attack/Decay: 50.0

It will remain at these settings unless you change things. Then I hit the OK button and that’s it. On occasion you might need to hit the Debug button, but that may only be the first time you use it, if at all.

This should take out the breaths and now you will have a very clean recording.

From here select the entire recording (Select All) and go to that Analyze option on your Audacity toolbar and select ACX Check. If I’ve done my job explaining things well you should be meeting ACX’s requirements. If not, the analyzer will tell you where you’re falling short and what areas need to be adjusted.  Remember I’m a NOOB when it comes to technical things so you might want to refer to those videos I listed in the previous entry to get more details and insights.

Okay, now you’ve got all your effects and chains in place and you can clean up any recordings you put together. So what else do we have to watch out for? We’re set, right?

Sorry gang, there’s still more to cover (which is why this series has so many installments).  In the next entry we’ll be covering ACX’s other submission requirements: such as giving title, author, who’s narrating, pacing, silence at the beginning and end, chapters, etc.

That’s going to be a lot of material in and of itself so I’m going to close this entry here for now.  In the meantime, experiment with Audacity, learn its many other tricks and functions that I haven’t even touched on. Watch YouTube videos for tutorials, etc.

But above all, keep reading and recording my friends.

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