Tag Archive: publishing



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So, one of the first things I often hear from people when they hear I have a book coming out is, “Who’s your publisher?”

There’s long been a stigma to self-publishing, and until recently, it was deserved. A writer had to buy a few thousand copies to get it printed at reasonable rates and generally did so as a pet project. Anyone who wanted to reach a wide audience and to possibly make money had to find a publisher who thought their work was high enough quality to invest in. It would go through rounds of editing before ever going to the shops. A real publisher meant the writer had talent. Self-publishing just meant they had money.

But.

That was then. This is now. Everyone knows there have been radical changes in how books are sold.There are many formats besides paper. Bookstore chains have collapsed or moved to online only. Publishing houses rise and fall, to the point where there are few one has heard of. But more has happened behind the scenes. Publishers tend not to invest in writers who aren’t celebrities. Instead, even authors who have turned a modest profit on multiple books are asked to shoulder the burden of “typesetting fees”. The manuscript is rarely put through an editing process. What most publishers look for is one thing: marketability. They are looking for a trendy subject, a sexy concept, and work that fits neatly into a hot genre or niche market.

Allan and I worked together on his first project to create something ended up combining thriller, paranormal investigation, police procedural,science fiction, horror, and strongly featured a lesbian couple. It didn’t fit neatly into a genre and as Allan researched the market and the experience of other writers, he realized how much things had changed.

With print on demand technology, works can be published with little more investment than the blood, sweat, and tears of the writer. Not relying on a publisher who doesn’t want to pay an editor to proofread the material, error checking is done by volunteers, and by several read-throughs by the author who is deeply committed to putting out a quality product. A publisher wants to sell a book and if the reader is dissatisfied, it means little. You’ll buy another author next time. The writer, on the other hand, has to deliver great work if they want readers to love their book and look for more by them.

In short, I don’t believe publishers care as much about quality as marketing at this point. And while anyone can self-publish a book these days, it’s not a warning sign that it was unpublishable by other means, because print-on-demand is great for giving an author more control, a greater profit share, and a way to reach a large audience, hence it is the first choice rather than last resort. Allan and I have chosen this route and advise others to do the same.

Interestingly, the publishing houses track print-on-demand sales. If an author makes themselves into hot property, then they may be offered a favorable contract that will help them get into more brick-and-mortar stores. Ultimately– the fate of writers is in the hands of the readers. Thank you for thinking of me!

-by Helen Krummenacker


     Yesterday I finished the 1st draft of my second novel “The Ship”.  The word count came in at 139, 345.  A bit high I admit, but a damn sight better than what my first novel “The Bridge” came in at.  That sucker wound up in 195,000 words.  Man did that puppy need some serious editing and rewriting.  I finally got it down to 102,000 words before I finally released it.  Yeah, I practically took a chainsaw to that sucker.

      So what’s my next step?
      First up is PROOFREADING!  I’ve been lucky enough to have a trusted beta-reader who has been checking my spelling, punctuation, etc. the entire time that I’ve been writing “The Ship”.  I kept all the corrected pages she sent back and am going through them and making the corrections already.   So far, 166 of the 525 pages have been fixed on that front.  It’s been going pretty fast, but she told me a while back that she was finding a lot fewer mistakes in my writing this time around and that my style had matured.  I was very glad to hear this.  I have been trying very hard to do a better job this time around, so it’s good to hear my efforts are showing.
 After the proofreading, I intend to start a second draft.  How will this be different than the proofreading? Simple, once the grammatical errors are fixed I can re-read the story myself and start looking for unnecessary repetition of ideas/concepts, simplifying concepts, expanding on thoughts where it might help the reader, eliminating scenes or characters who do not really make a serious impact on the plot, etc.
      When I write a first draft, it’s simply to get the entire story told.  Only then can I go back and look at it from a reader’s perspective and see if it’s all making sense.  I’ll also study the pacing, the details, are the characters actions logical and  if not is there a reason, etc.  Automatically, a lot of the repairs and adjustments I make will start cutting down the word count.
      After I’ve completed the 2nd draft, I may unleash it on a few ‘trustworthy’ beta-readers to get their impressions.and feedback.  From there a 3rd draft will be made incorporating some, but not necessarily all, their ideas. Why won’t I use all of it, because I’m already plotting the next story in the series.  Some of what they talk about, might be things needed to help set the stage for the next book.  They will have no idea of this, but I do and I’m not sharing that info just yet.  I don’t want to spoil the next book in the series for them.
     As you can see, finishing a first draft is a huge accomplishment, but the work is just beginning.  There’s so much more to be done, before I release the book in its final form to the public.  There is a lot to think about in creating your novel.  NEVER publish your first draft and say “It’s perfect as it is!”  You will regret it.  Take the time to go over it and have others add their input.  But choose those editors, beta-readers, and proofreaders carefully.  You could wind up with a bunch of “Yes-Men” who offer only praise and no solid advice.
     Now, if you’ll excuse me, I have more proofreading to do.  Until next time… keep writing.

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