Tag Archive: #DrWho



Okay, so now that we’ve got all the technical parts of recording covered and how to meet ACX’s requirements, we’re ready to record and submit, right?

Yeah, what the 10th Doctor is saying. There are a number of other non-technical requirements that we have to pay attention to, in order to submit our audio successfully. First off, you need to include opening credits. These are as follows:

-The title of the audiobook

-The subtitle, if there is one

-Written by (Name of the Author)

-Narrated by (Insert your name here)

All of these need to be included in the very first file. Now you can submit this as a separate file, or as part of the first chapter.

Speaking of chapters, each chapter should have its own sound file. When you submit to ACX you’ll be submitting an entire folder of files to them. And each file can only include one chapter, no matter how short. UNLESS… the chapter is so long that the sound file is going to be longer than 120 minutes. In that case, you’ll be breaking that chapter up into more than one file. Remember, no single file can be longer than 120 minutes. ACX is very strict about this.

And since we’re discussing credits, there should also be closing credits at the end of the final chapter or at least the spoken words THE END.  I myself prefer something like this. “The End. You have been listening to “Title of the Book”, written by “Author Name” and narrated by “Your name here”.

You’ll also want to have a separate file to submit that will be a sample of your work so the audience can get a taste of what awaits them inside your audiobook. Do not include anything that contains the opening/closing credits, music, or anything explicit. The sample can be anywhere from 1 to 5 minutes in length. So choose wisely, remember this is part of your ‘hook’ to get listeners to want to hear the entire story from start to finish.

Another requirement ACX asks of submissions is 2-3 seconds of silence or “Room Tone”. Remember where I mentioned having several seconds of silence where we used the “Noise Reduction” function, this is where that section comes into play again. Originally we used it to clean up the entire file. But now we need it as a lead in before any speaking takes place in a file, and they also want another 3-5 seconds at the end of each file. This is a requirement that can and will get you rejected, so make sure each of your files has this 2-3 seconds at the beginning and 3-5 seconds of “Room Tone” at the end.

Be careful of making sure each file is consistent in pacing, vocalization, sound levels, clear speaking, etc. Try to avoid loud mic pops, mouth noises, breathing, etc. (most of which we covered in the previous entries where we covered the technical requirements). Still, try to make sure there is a definite consistency throughout all the files so as not to irritate the listener. People love being drawn into a story and then jarred out of it because of a mistake someone made in the recording. This WILL lead to bad reviews and poor ratings of all your hard work. So take the time to make sure every file is clean and consistent for your own sake.

Next up, Mono or Stereo channel formats. Whichever format you choose ALL the files associated with the audiobook in question must be in the same format. I myself stick to Mono which makes my life so much easier. I personally don’t really know the difference between the two, but Mono is what I use and I keep things consistent that way.

Finally, ACX has one final rule… the narration must be done by an actual human being. Text-to-speech is not allowed. Audible listeners are expecting a performance by a person, so ACX will only accept that and nothing else.

So, we’ve covered technical issues, and the submission requirements for ACX, which means we’re done right…

 

Sorry about that, but there are other things we need to discuss and take into consideration. And all of it falls under “Performance”. How good a narrator are you? Can you bring life to the words and characters or not? How fast should you be reading? What about pauses for the end of a sentence, etc., etc. Are you putting emphasis in the right place for the story?

We’ll go into all that in our next installment. But if you feel you’ve learned all you need, perhaps you’re already an actor or someone who’s just a natural at loud readings. If you are, then best of luck to you and go get ’em!

As for everyone else, I’ll see you in a couple of weeks. Until then keep writing and reading my friends.


Okay, continuing with my adventures in recording audios, I left off last time with the image above. Now what you are seeing are the Blue Yeti Microphone, which had a huge amount of reviews over on Amazon. It’s a very versatile microphone in the respects that it can give you several options for picking up sound. It can do 360, if you want a room full of people involved (or to pick up background sound effects), it can do 2-way where you’re on one side of the mic and someone else is directly opposite you, while filtering out the sides somewhat. It also has a setting called Cardioid which is the one I use for audios, this allows you to not have to be directly in front of it at all times, so if you like to move a bit and perform as you record a scene, it catches everything you’re saying. These will plug into your computer’s USB port, so no special attachments. Also, the cord is very long (about 6-7 feet) so you have some freedom of where to set up to get away from your computer and not pick up sound from it.

Now I warn you in advance, this microphone costs at least $90-100+ depending on several factors. Number one are you buying a package deal where you also get a pop filter/professional foam windscreen that fits on top of the Blue Yeti for further filtering of noise. If you’re just getting the microphone go through the color selection. Believe it or not, which color you get it in can raise or lower the price a fair amount. Because I chose this blue color, I got mine for just under $105 instead of being charged $120 if I’d taken the Black or Silver.

Don’t ask me why color matters I have no idea. I just went with what was cheaper and it kind of reminded me of the color of the Tardis in Dr. Who… one of my all time fav shows.

Also, I warn you that this is NOT a small microphone. In its stand that comes with the microphone, this puppy is a full 1 foot tall and almost 3-4 inches wide at the base. The microphone itself can be  removed from the base and attached to a swing arm, but make sure the arm can handle the weight and stay in position. There are swing arms designed for the Blue Yeti, but that’s more money so go with what your budget will allow. Personally, I just keep mine on a bureau in a quiet corner of my room and record while standing and performing. Now when I say performing, I mean reading not singing. I like to add silent gestures as I record which allows me to get more emotion and emphasis to come across in the readings.

Next you’ll want closed over the ear headphones. In my case, they plug directly into the bottom of the Blue Yeti Microphone. This is a big plus in my book, because I could hear exactly how I sound over the mic as well as hear background noise that is being picked up. This in turn allowed me to turn things off, re-position the mic to cut down a lot of the noises it was picking up. And believe me, even in Cardioid mode, that mic will pick things up so pay attention to what you’re hearing. I don’t have a specific brand of headphones to recommend I’ve had this pair for 2 years already and with the way technology keeps changing, they are probably obsolete. But they’re great for my purposes.

Now comes the biggie, what audio recording system to use. In my case, I went with Audacity which is a free download (here’s the link: www.audacityteam.org/download/).

I highly recommend getting fully acquainted with this software and its many features. And believe me it has a lot! Now, if you’re like me (who is a complete audio neophyte) you may want to go over to YouTube and look up some videos to learn how to navigate and use Audacity to its fullest before launching into full-recording mode. If you’re already well-versed, I salute you and wonder where the hell were you when I was looking for advice.

I will go much deeper into the specific functions I use with Audacity in another post, but for now I wish to focus on the equipment I’m using. But one thing I will say about Audacity is that it has one particular function I’m very excited about.  Along the toolbar at the top of the screen of Audacity is a button titled Analyze. When you click on that, a pull down menu appears and one of the options is ACX Check, which will become your best friend/enemy. When you’ve got your recording done an think it’s ready to go, you will click on ACX Check and it will analyze your work and tell you whether or not it meets the technical sound requirements to be moved onto Audible.  If your recording doesn’t meet the standards, it will tell you why and what needs to be improved.

Now all of what I’ve covered today is strictly for recording inside your own home. If you can rent studio space, they’ll have all the equipment and soundproofing already covered (hopefully). I’ve never been to one, so I cannot say much on that front. But, recording audios in your own home can be done, but it will take some effort. I’ll cover what I did to prepare and get cleaner sounding recordings in the next two-three installments of this blog.

Until then, take care and keep writing/recording my friends…


Last night Helen and I finished the final story for our upcoming anthology!

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Thank you!  Thank you!  You’re all being too kind.  But today’s post is not to talk about the anthology itself, as much as what went into making it.  How did it differ from writing full-length novels?  Was it easier?  Was it harder? What was the process like?  Where did we get all the stories for it, etc.?

Well, for starters, coming up with a decent number of stories was and wasn’t hard really.  Helen had been writing stories long before e-books and well before I tried my hand at penning a tale.  I can easily say I learned so much from her earlier attempts at getting published, and let me tell you she got damn close to seeing some of her work in print.  But, that’s a tale for another entry.

What I want to say is that I learned a lot about what to expect when I decided to try  going the traditional published route.  Although in my case, I started shortly after the birth of e-publishing and after 2-3 years of trying to get an agent to represent and hearing over and over again “You’ve got something here, but you crossed several genres and I wouldn’t know what publishing house to try and sell it to.”

You see, at that time (and this still seems to hold true today) publishers don’t like to take risks on unknown authors or mixed genres. They want a straight up “Mystery”, “Thriller”, “Horror”, “Science Fiction”, etc.  They’re not keen on trying to sell a book that crosses multiple genres like the Para-Earth Series which we classify as “Paranormal/Sci-Fi”.

Nope

Now some of you may be pointing out that they do it more often these days, but most of those authors are well-known like Stephen King, Dean Koontz, J. K. Rowling, etc. who all have proven sales track records.

Anyway, getting back to how our upcoming anthology came to be a reality.

During that 2-3 years I tried to get published the traditional way, more stories were taking shape.  New characters and ideas were forming.  One of them was vampire I called Nathan Eoghan (pronounced Ewan) Steward.  I swore I’d never do a vampire character, unless I could introduce new angle or angles to the character.  Yet I still wanted to keep a lot of the traditional trademark strengths and weaknesses people have come and know and recognize.

By this time, I had already been blogging for several years and had learned from other writers the concept of giving sneak peeks into upcoming works, and even sharing short stories.  This is done to introduce characters and concepts to prospective readers and build a demand for them.  So, after creating a vampire character that would fit nicely into our paranormal/sci-fi concept, I began doing short stories with Nathan over on a new blog called “The Vampyre Blogs – Private Edition”.    Over the course of 3 years we had a number of tales about Nathan and introduced a number of his friends who appeared with him in “The Vampyre Blogs – Coming Home”.  And we’re still making new stories.  And that presented a problem, how many people want to wade through 4-5 years of blog posts to read all those stories?  Furthermore, most of those tales are rough 1st drafts and it shows.

During this time, I noticed some of my fellow authors who had created short stories on their blogs were bundling them into anthologies and that got us thinking.  With all the stories we’d already created, why couldn’t we create an anthology centered around all those stories on the blog?  While it sounded nice and easy, it also didn’t feel completely right to me.  While having all those earlier stories put into a more convenient format, shouldn’t we give the readers more?  Shouldn’t there be new never before seen stories in the collection?  Furthermore, should the stories not be just about Nathan but his friends, and even characters from our first two novels “The Bridge” and “The Ship”?

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This led to Helen coming up with the idea of recycling some of her earlier works which were firmly established in the realm of the macabre.  With a little reworking and adding scenes, she felt a number of those pieces could easily fit in with our Para-Earth Series, while also giving those unread tales a chance to finally see the light of day.

*Now I want to pause and say one thing.  Remember how I told you all, many posts ago, never to toss out your unfinished works, or fragments because you never knew when they might fit into some new idea/concept?  This is a perfect example of why you do that.  You just never know when that day might come.*

So right there, we had some brand new stories to slip into the anthology.  But we didn’t stop there, we went ahead and created several more brand new stories just for the collection itself.  The result?  One third of the tales appearing in this anthology are completely brand new.

Plus, we also added an afterthought following each story, sharing some of the who, what, where, and how each tale came into existence.  We thought it only right to share some of what the writing process can be like and hopefully inspire others to take that next step in whatever creative endeavors they are involved in.

Now, seeing how long this entry is getting and knowing there’s still a lot more to share, I’m going to end this one here.  I know I covered a lot of background areas today and haven’t really gotten to more of the technical and details of actually what went into the building of the anthology.  But rest assured that will be covered in the next installment.

Until then take care and keep writing everyone.

 

 

 

 

 

 

 

 

 

 

 

 

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