Tag Archive: rewrite



      As many of you know I’ve been working on “The Door” for the last four years. And looking back on that sentence I’m wishing I’d phrased it differently, because it makes me sound like someone who is the lamest handyman in creation. Hmm… there might be another blog post in that. I can see it now “Choosing Your Words Carefully”…

      Anyway, getting back to today’s topic, yes I’ve been working on that novel all this time and it still isn’t finished. In fact the closest I’ve gotten is halfway. Why? See below…

     But seriously, I was trying to put too much material and characters into the story. I had forgotten one of the cardinal rules I try to write by, which is “Keep It Simple Stupid”. When you have a story that already has a number of twists and turns built into it, DON’T MAKE IT MORE COMPLICATED! Secondly, if you are building a series you don’t have to introduce every bloody person who’s going to appear in it all at once! In fact, when you’re working on the first draft get the main story down on paper first. Then go back, read it, re-read it and then start a second draft. But above all get that 1st draft finished! All the extra layers and details you want to put to make things more real can come later.

     In my case, I was cluttering the story with scenes I thought were cool and would make people laugh or gasp. Plus I was bringing back secondary characters from the first two books, adding new ones I’d been dying to introduce, plot twists, you name it I was throwing it in. And time after time, the story kept getting too heavy and complicated for even me to follow.

     So finally, instead of simply going back and trying to simply remove scenes or fix things little by little (like I’d done a dozen times already) I found myself simply starting over and practically rewriting the book from the beginning. And guess what? It’s working.

 I’ve dropped God knows how many scenes I thought the story couldn’t live without, only to realize I was the only one who thought like that. I had to remind myself that as the storyteller I already  knew exactly where things were going, but what about the readers?

   I was forgetting just how important it is to stop and take a look at what you’ve done and try to see it through the eyes of a reader. Every story is a new journey to them. Oh you might be giving the readers familiar characters to follow on this new adventure, but it’s still your job is to keep this journey interesting. Do not overwhelm them with so much new stuff that they feel overwhelmed, especially when you have an ongoing series where there’s still so many stories that lie ahead. You have plenty of time to use a great many of those ideas bouncing around inside your head.

    So as I said earlier, I wound up removing a bunch of scenes from the plan and saved them on one of my many memory sticks. And I know I’m about to repeat myself, but we all need a reminder some days “Whatever you don’t use in your current story may be just perfect for another book down the road.”

     Now, getting back to the rewrite, the story has been trimmed down yet is still going to be exciting. Plus I’m making sure events in the previous books are still being felt, like having some of the cast who faced the nightmarish creature from “The Bridge” having troubles with PTSD. There really is so much already in store for the readers with this book that scaling things down has allowed me to really get the book back on track. Plus I’m finding it that much easier to write. I’m already over 50 pages into the story and on a roll.

     So if you’re finding yourself getting stuck time and again while working on just one story, taking a few steps back may be what you need to do to move forward. It’s not an easy thing to do, trust me on this. But it can sometimes make all the difference in the world to what you bring to your readers.

     Until next time, take care and keep writing!


Okay fellow writers, here’s a question for you all.  How many of  you find yourselves working and reworking a scene because something just isn’t right?  In your mind, you know what you’d like to happen, but something just doesn’t seem to be working right.  You make a change here, then a slight a tweek there and suddenly everything goes KAFLOOEY!    You suddenly hit a dead end, or the entire plot has taken a detour to No-wheres-ville.  When this happens to me, I get the same feelings I had whenever I tried to solve a Rubik’s Cube.  I know all the parts and where I think they should go, but they’re just not in the right spot.  And trying to get them in their proper place can be a nightmare some days.

Now this has happened to me on a number of occasions.  Some people tell me to have an outline, but that never works for me.  Why?  Because my characters start going in other directions by saying or doing things I hadn’t originally planned.  Admittedly I let them get away with it, but only if what they’re doing seems to be working better than what I originally planned.  Sometimes this works, but not always.  When it doesn’t I do one of two things:  I’ll delete it completely and try again OR  I’ll save the scene in a separate folder on my computer.  You never know when an unused scene can be useful later in your present story, or could wind up being perfect for another book entirely.

Personally, I kind of like it when I can just delete the scene because then I get to point and laugh at my characters saying, “See?  I told you this wasn’t going to work… NEENER-NEENER.”   Unfortunately, I tend to do this out loud and get some really strange looks from anyone within a 30 foot radius.    It’s at this point my unseen characters got to point and laugh right back at me, which is really annoying because they know I still need them and can’t kill them off.  Damn, my creations can be annoying at times.

Anyway, getting back to my original point.  Writing a scene can be quite frustrating and difficult at times.  But, there are many ways   of tackling this problem:

-You might change who’s in the scene, keep the ones who are most poignant and add someone else from the cast.  This can change the tension levels and the entire feel of the moment.

-Change the location where the action is happening.  Maybe the setting is the problem and you can get more out of a different location.

-Is a major piece of information about to be revealed in this scene?   If so how much of it do you really have to unveil at this moment?  Maybe you should only reveal a portion of the information.  You can whet the appetite of both the characters and the audience with this method.  By doing this your characters can go off half-cocked, which can make for some very interesting scenes as they make any number of mistakes or jump to wrong conclusions.  I personally like this because the character who isn’t perfect, and learns from their mistakes, is someone the audience can really relate to sometimes.  On the other hand the characters can aware that something is still missing and we can follow their efforts to learn more which can lead to some very tense and exciting scenes as well.

So, don’t be afraid to tear apart a scene that’s frustrating you.   Try some really different ways of reworking it.  And if you find yourself still hitting a wall, ask yourself  if the scene is truly relevant in that particular point of the story.  Maybe it can be replaced by an entirely different scene that can serve a similar purpose.    Who knows, you may wind up with something that opens new avenues for your plot that are even more interesting than what you originally had in mind.

What other methods or tricks have you come up with?  I’m sure everyone reading this would be  interested because we’re all trying learn from one another when it comes to writing.  So please leave your experiences and suggestions down in the comments section below.

And for the record,I did finally defeat the dreaded Rubik’s Cube.  Mind you I did not remove the decals and change them around (which is something my wife did when she was kid).  Nor did I take the cube apart and reassemble it so the colors matched up.  What did I do?  Simple, I spray painted the entire thing silver and used it for a paperweight.  A very creative solution, don’t you think?

Decision Time…


Sorry for the long silence, been busy with college and also doing a major re-write and edit of novel #1.  I’ve been using the critique I was given as a guide.  I didn’t take every idea on board because I was afraid of losing some of my vision, but I have used a majority of the suggestions.  As a result the story seems much tighter, even more coherent, and overall stronger.  I’m already over a third of the way done with it.  But what to do after that?  I was advised by one friend who’s already published that I go the e-book route AND query as well. I feel comfortable with this idea since I don’t have a track record behind me to show any prospective agents whether or not my writing has an audience.

So I’d like to hear from all of you as to whether you’d like to see “THE BRIDGE” come to life in e-book form?  And if yes, would you like to see it come out in time for Christmas?

I want to say thanks in advance for your help and advice.  I know I have a lot of people pulling for me and I do listen and think about all the advice I’m given.  Take care everyone and looking forward to hearing back.

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